Philippians 3

Gritty and real funk-rock with fully notated, authentic keyboard and bass parts to ground the band with swagger. A call-and-response melody builds to a breakdown section with its chasing, bluesy horn lines.

Here is a beautiful trombone solo feature where you can combine forces with a string orchestra in this lush work for jazz ensemble, or jazz ensemble alone. The string orchestra can easily be replaced or

With a fun and lively New Orleans second line treatment, this setting of the traditional The Holly and the Ivy takes the familiar melody and transforms it into a great chart for holiday concerts.

Jazz Combo Plus is an innovative, performance-ready collection featuring six original charts for small jazz groups. Additional features include flexible instrumentation with three parts in each

The saxes and bones begin with a statement that "speaks" the title of the chart, first answered by piano and guitar and later answered by the full trumpet section. This is a solid medium-swing spiritual

There is a cool vibe in this approachable yet genuine outing in straight eighth-note fusion style. Layers are added to layers for a calculated build-up to a gritty ensemble punch. Every section and part

This is a bluesy call and response between bass instruments and the whole ensemble, with modest brass ranges, suggested piano voicings, and solo space for tenor sax and guitar (or piano). Solo

A driving samba with modest ranges and a fiery sax soli section, Porto Alegre features carefully notated rhythm section parts, suggested piano voicings, a transcribed solo for trombone and/or

With a bit of progressive rock and a lot of half-time funk, this great chart can be rounded out with optional synthesizer and electric guitar. The sticky grooves and melodies drive the point home. Two